In the wake of tragedy, neither Lazlo nor Sarai are who they were before. One a god, the other a ghost, they struggle to grasp the new boundaries of their selves as dark-minded Minya holds them hostage, intent on vengeance against Weep.
Lazlo faces an unthinkable choice—save the woman he loves, or everyone else?—while Sarai feels more helpless than ever. But is she? Sometimes, only the direst need can teach us our own depths, and Sarai, the muse of nightmares, has not yet discovered what she's capable of.
As humans and godspawn reel in the aftermath of the citadel's near fall, a new foe shatters their fragile hopes, and the mysteries of the Mesarthim are resurrected: Where did the gods come from, and why? What was done with thousands of children born in the citadel nursery? And most important of all, as forgotten doors are opened and new worlds revealed: Must heroes always slay monsters, or is it possible to save them instead?
Always and forever: the children. Each face was seared into her mind, two versions of them, side by side: alive and terrified next to dead and glassy-eyed, because she had failed to save them.
They were all I could carry.
If Strange the Dreamer was a story about clutching to hope while searching for yourself and a place of belonging, Muse of Nightmares is about trauma: attempts to bury it, the horrible fear and rage and emotional damage it causes, and the slow and difficult process of healing from it. Yeah, it’s also about magical young blue people and colonialism and Tizerkane warriors and a city named Weep which is itself traumatized from brutal oppression. But as I said, to me, while the other elements are all vital to it, the overarching story is ultimately about trauma and healing.
Captivating and boldly imaginative, with a tale of sisterhood at its heart, Rena Rossner's debut fantasy invites you to enter a world filled with magic, folklore, and the dangers of the woods.
Raised in a small village surrounded by vast forests, Liba and Laya have lived a peaceful sheltered life - even if they've heard of troubling times for Jews elsewhere. When their parents travel to visit their dying grandfather, the sisters are left behind in their home in the woods.
Soon a troupe of mysterious men appear in town and Laya falls under their spell-despite their mother's warning to be wary of strangers. And these are not the only dangers lurking in the woods...
The sisters will need each other if they are to become the women they need to be - and save their people from the dark forces that draw closer.
Friends, I love this book. I think some readers who aren’t fans of verse in their novels may not enjoy it, but for anyone else, I highly recommend it. I want to say that before anything else because I went into reading this novel knowing very little other than that I loved its cover and found the synopsis enticing. I’m so glad I did. It captured my heart and my imagination right from its opening pages.
Although I love Tati’s stories and his answers, I wonder why a small voice is a daughter’s voice. Sometimes I wish my voice could be loud–like a roar. But that is not a modest way to think. The older I get, the more immodest my thoughts become.
Also, here’s some recommended listening for this review/this book before I really dive into things:
Sometimes the world don’t give you what you need, no matter how hard you look. Sometimes it withholds.
There’s likely not much that I could say about Sing, Unburied, Sing that hasn’t already been eloquently said by others. Jesmyn Ward’s elegiac and lyrical novel sings back and forth across narrators, across time, across the blood- and history-soaked soil of Mississippi. It’s beautiful, and sad on a bone-deep level.
If I told you in this moment that I’m the enemy—I will not save the day, I will not change the world for the better, that this is not what will happen—will you believe me?
I’ve already read about 50 books in 2018, and even with some amazing books among that number, The Raging Ones is one of the most unique young adult novels I’ve read so far this year. It’s got a combination of elements that might not seem like they’d add up to a book that really stands out: a central cast of scrappy characters in their late teens (two boys and one girl, in this case), a dystopian setting that incorporates a lifespan-based caste system, and a healthy dose of romance. What made it all special as a whole was in the how the authors used those things in engaging and expectation-defying ways.
I was afraid. He wore spurs on his heels and jewels on his fingers like enormous chips of ice, and the voices of all the lost souls in blizzards howled behind him. Of course I was afraid.
But I had learned to fear other things more: being despised, whittled down to one small piece of myself at a time, smirked at and taken advantage of.
Spinning Silver is an absolute wonder. It’s a tale that manages to weave the perspectives of a Jewish moneylender’s daughter (and moneylender in her own right), a poor serf seeking escape from her abusive father, and an unlikely tsarina, all while making their points of view distinct, relevant, and poignant. It’s a Rumpelstiltskin retelling that manages to stay faithful to a timeless fairytale tone while spinning out the tale into something both refreshing and nuanced. Meanwhile, it features fantastic elements both subtle and intense, ruminations on what makes a family, and great character development.